These photo works are part of a multiyear project titled 'Project on Image', produced in major urban areas around the world (Spain, South Korea, United Arab Emirates, Japan, China, USA, a.o.) Over the years urban planners, architects, governments and companies have valued these images because of it's position in between reality and fiction, and their beautiful yet critical approach of urban development and the use of space.

The social context as well as our concepts of reality are constantly changing with the omnipresence of a sprawling and diffuse visual spectrum. Master, original and copy are of equivalent value. In this project the time-specific connections are removed, and these images (and with this the urban landscape itself) accommodates our new perception of “the real”. The city exists in it's imagery, and by not focussing on one specific project in one specific location only, it's like globalisation with all it's pro's and con's, leaving room for discussion and reflection about the role of imagery.

The (interdisciplinary) space between document and creation is one of the most important elements in my photography. By visually theorizing the space between presentation and re-presentation, real or fake, this project is interpreting the concept of “the new”. It reconsiders the authenticity, function and impact of the image that is city.